Tuesday, July 31, 2007

Big Sur, "...end of distances."







These are studio paintings that have been made the last few years as a continuation of "The Western Jaunt", as the series begun in 1993 was called.









These are new landscapes, enlarged from paintings painted plein air, or on site, 15 years ago.












This big painting of the sun going down is from the same spot as the site painting just made, it was made last year using a older site painting.

I don't usually use such an old painting as I like the natural information to be fresh in my mind. But also there is an artificiality I like that is more like Art, and I have made numerous paintings from this original plein air through the years.

This Nature and Art thing are a constant tug and pull.

More Yosemite Studio Paintings

These large studio paintings I havent seen in 14 years. They were in a show at Ro Snell Gallery in Santa Barbara in 1993. They have been in storage there since that time.







Ken Johnson wrote in Art in America, "Now, in what looks like a major breakthrough for him, Botts has boldly extended the latter impulse into a surprising suite of big, philosophically loaded allegorical landscapes." he went on to say







"As a group, the paintings at Shafrazi are connected by an implied narrative of a solitary hiker's trek into the mountains. Depicting spectacular wilderness scenery - majestic waterfalls, precipitous slopes, etc. - and, in some cases, the heroically monumentalized wanderer himself, the pictures hark back to the Emersonian pantheism that inspired the painters of the Hudson River School. This romanticism is complicated, however, by the style in which the paintings are made.





Rather than painting realistically or expressionistically to create the kind of thrilling illusions of space and elevated feelings that sublime landscapes traditionally offer, Botts works in a style derived from comic illustration. Forms are outlined cartoon style, colors - mostly blues, greens, grays and browns - are slightly grayed but bright and unmodulated. There are no shadows, and objects such as trees or clouds are represented by generic signs. This manner of depiction imparts an eccentric humorous and slightly ironic spin to the contents, establishing a mood of rapturous giddiness."

Back at New Mexico Studio





I arrived back to New Mexico and was having a good time seeing all the paintings together on my studio walls. I pulled out some old paintings of Yosemite I painted back in 1993 to see how they looked with the new ones.





I painted first in Yosemite around 1990. I went back a number of times. In 1993, Tony Shafrazi the art dealer saw the paintings and offered me a show. He had seen a larger blown up version. I spent that summer making 10 large paintings, painting in Brooklyn for the show that fall.







I had invented a figure that started off from Long Island, in a series named Paumanok. It was named after a Walt Whitman poem, an Indian name that meant "fish shaped island".







The figure was associated in my mind with that 19th century poet -philosopher explorer of the new land.
Back then someone called the figure a ' Pop Pilgrim'.

New Studio Blog

I'm going to post studio ideas here rather than confuse the Landscape Blog.
click on link below for the Landscape Blog:

http://gregorybotts.blogspot.com/